The Surreal Killer

The Surreal Killer
Machu Picchu. Peru

Wednesday, September 26, 2012

The Surreal Killer, an Excerpt



            He always thought of this part as cutting the calf out of the herd.  The problem:  Pick up the woman somewhere, somehow without any witnesses to the event.  The solution this time:  he found her hitchhiking late at night on the deserted street in a poorly lit part of town.  He stopped the rented car and offered her a ride.  She looked at him, decided he was safe, jumped in the car, congratulated herself on her good luck, and asked if he was heading towards the next town. 

            "Yes, I am.  Where can I drop you off?"

            "Anywhere near the middle of town would be great."

            "You've got it."

            The car started off in the right direction.

            "Can I offer you a little brandy?  It's cold out there," he said.

            "I'd love a sip or two."

            He removed a flask from his pocket and passed it over.

            "Thanks a lot," she replied, and took a long slow swallow.  She returned the flask to the driver.

            Five minutes later the long-acting drug in the brandy had worked its magic and she was completely helpless.  Wide awake, but totally unable to move or speak.  She stared at the driver with terrified eyes.  The driver steered the car onto a dirt road and drove about half a mile into the woods.  After stopping the car, he came around to the passenger side, and pulled her out onto the ground.  She noted that there was grass and dirt in the clearing.  He pawed her body for a few moments, but didn't seem interested in undressing or sexually assaulting her beyond the unwanted touching.  Out came his syringe, and with a few well-coordinated movements he injected a few mL of fluid directly into her jugular vein.  The powerful drug did its work and she was now completely paralyzed.

Saturday, September 22, 2012

Things To Do In Lima, Peru


In my third South American mystery novel, The Surreal Killer, one of the detectives, Suzanne, goes shopping for baby clothes at the Mercado de Las Incas in Lima with several women she meets at a scientific meeting.  Two of these women worked as scientists from government agencies in Lima and are based (their physical descriptions and their willingness to adopt Suzanne and show her the techniques for shopping at The Inca Market) upon the actual Peruvian government scientist who hosted our group from the University in Montevideo and me in 2010.   We spent that week in Peru teaching a course to about 50 Peruvian scientists and engineers about analysis and toxicology of the Microcystins, toxins produced by Blue-Green algae that can contaminate drinking water supplies.  A highlight of the week was Friday morning’s session, when we presented a condensed version of the 1-week course over the World health Organization’s (WHO) broadband network, which reaches to 19 different Latin American countries simultaneously in real time.  The WHO regional network, called the Pan-American Health Organization (PAHO), hosted almost 500 participants in 19 different countries for our morning course.  It’s a strange feeling knowing that you are talking to almost 500 people as you deliver your lecture or discussion to a camera mounted on a computer.

Blue-green algae grow in lakes, reservoirs, and wherever else you might find slow-moving or stagnant water that contains the nitrogen and phosphorus nutrients they need to make little algae from.  Some of these algae make powerful toxins that can kill people and animals.  The recipe for disaster is a body of water, sunlight, and nutrients from agricultural fertilizers or urban sewers.  This is a worldwide problem, including the countries in South America that my novels are set in, and just about everywhere else.  It's also an area in which my scientific colleagues in Uruguay are making a major contribution to developing new and better methods to test drinking water supplies for the presence of these toxins. 

The traditional Peruvian delicacy that tourists flock to in Lima is ceviche, fresh raw fish or seafood marinated in lime juice and seasoned with herbs like cilantro.  This South American spin on sushi is really, really good, especially when it is accompanied by a cold beer as a snack or appetizer before dinner.  There is an interesting juxtaposition between sampling the ceviche and worrying about whether the ubiquitous blue-green algae we were discussing in the course shared the water with the fish we were eating so cheerfully.  This may be one of the places that the new assays being developed in Uruguay for the algal toxins will have some direct relevance for tourists in Lima in the future.

Saturday, September 15, 2012

The Ambivalent Corpse, an excerpt


This blog began at about the same time as the fourth book of the series started to get written, so it seems reasonable to introduce you, the readers, to the earlier books a bit more thoroughly than just via the links on the blog.  Starting with Book #2, The Ambivalent Corpse, here's how it begins.  There will be more inside stuff about this novel in subsequent posts.  Enjoy this short visit with Roger and Suzanne on one of their early cases.



                        Chapter 1.  The Ambivalent Corpse Appears


We found the corpse on a rocky stretch of beach in Montevideo, about a mile east of the harbor.  Pieces of the body were apportioned equally between the Graf Spee Memorial and the Holocaust Memorial, which are side by side on a grassy knoll overlooking the Rio de la Plata shore facing Buenos Aires to the south.   Because of her strategic location shared between two antithetical monuments, one to the German warship scuttled near Montevideo Harbor in 1939 and the other to the victims of Nazi genocide in World War II, the Uruguayan press named her “The Ambivalent Corpse” (“El Cadáver Ambivalente”).  But I’m getting ahead of myself in telling this story.

Sunday, September 2, 2012

A Few Tips on Writing


     Paula Shene contributes a guest blog with some useful advice for aspiring and established writers.  Paula writes children's stories, including the series The Chronicles of The K-9 Boys and Girls on Locus Street, with a slant toward teaching our young the importance of animal care.  She also writes short stories on BookRix [some on Amazon] and articles for the online magazine Angie's Diary.  Paula and Paul have been married for 47 years and raised a good-sized family, so she obviously has some impressive time management skills.

     Giving tips on writing is extremely subjective.  I was going to say except for grammar or spelling, but in American English, at least, these areas also are open to interpretation.  Our English language is an oleo of other languages and regularly we accept words into our dictionary as fair game through daily usage.
     As to grammar rules, it depends if you are writing in a formal manner or in a creative manner.  There truly are no hard and fast rules but knowing those rules is imperative in having an understandable story unfold where the reader is along for the ride, not stumbling after the story line because it’s been woven together with fractured English, misusage, or the favorite of today, texting or Madison Avenue advertising spelling.
     Saying all that, I will say, foremost, creativity is the key to an enjoyable story and will garner readership.  Know your limitations in the technical areas and have readers before publishing that are able to tell you of the places that need correction or deleting or further embellishment.  And have an editor, a breathing editor, who may employ using a program as I do, but who also is able to spot incorrect usage the program may not.

Thursday, August 2, 2012

Uruguay and Me---a Personal Memoir


This post originated as an invited article I wrote for the Fulbright (Uruguay) Newsletter in 2005.  I've twice been a Fulbright Professor in Montevideo (the second time as a shared award with half of the time spent in Salta, Argentina), which has led me into a series of continuing collaborations with scientists there and a rich store of people and places to use as background for my novels.  The Newsletter asked for a 5-year retrospective on what my experiences during the tenure of the prestigious Fulbright award there in 1999 were like, and what has occurred since then.
 
            Besides acquiring an occasional taste for yerba mate and parrillada compleada, the Fulbright award had several other influences on my life, then and now.  Most important was the result of a promise I made to myself that relationships made during this Fulbright award, my second (the first was to Uruguay in 1982), would progress beyond the nominal exchange of Christmas cards after I returned to California. Fortunately I was at a time in my career when this commitment was possible to pursue. 

Sunday, July 29, 2012

The Matador Murders


The fourth volume in my South American mystery novel series, The Matador Murders, was published on Amazon today.  There's a link on this page, to the right.  Roger and Suzanne are back in Montevideo after being summoned by a late night phone call.  The book features lots of action, a good whodunit storyline, guest appearances from several old friends and an old enemy from The Ambivalent Corpse and The Surreal Killer, and occasional opportunities for sightseeing and eating regional specialty foods.  Reviews, Likes, and Tags will be appreciated.


Friday, July 27, 2012

Roger and Suzanne's New Case

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For fans of my South American mystery series, the newest entry, an 11,600-word novelette, "The Body in the Parking Structure" was just published on Amazon.  In this new mystery, my first in a shorter story format, Suzanne discovers the body of a Bolivian scientist in the parking garage next to the Medical School at UCLA.  The police treat the killing as just another drug deal gone bad.  P.I. Roger Bowman, Suzanne, and his newly assembled team investigate the murder, which seems to be linked to a small biotechnology company and a new anti-cancer drug they are developing.  The reader is off on a whirlwind tour of Los Angeles and Westwood in search of clues.  The clues are all there: Can you figure out whodunit before Roger does?  This fast-paced mystery story features characters from the author's popular South American mystery novel series working on a murder case at home in Los Angeles.  Enjoy it!  There's a link on the blog page to the book's Amazon page.


Excerpt (950 words):             The Body In the Parking Structure



                                                Chapter 1. Suzanne finds the body

            For the first time since we had met, Suzanne discovered a dead body without me being there.  She was collecting her car at twilight from the UCLA parking structure after a quick trip to the laboratory to change the samples on a DNA sequencer.  The structure seemed to be deserted except for her and a large lump lying lifeless between her car and the garage wall.  She called 911 to report the body then called me. 

            The police and I arrived at the garage at about the same time.  While she was waiting for us, Suzanne took a closer look at the corpse and got her second shock of the night.  She not only counted at least five bullet holes in the body but she also recognized the victim from one of our previous cases.  It was Eugenio Vasquez, a biochemist from Santa Cruz, Bolivia, who we had met the previous year in Lima, Peru.  We had spent a pleasant afternoon with him and his cousin Rogelio, at a couple of museums, eating ceviche for our first time and drinking Peruvian beer.

Wednesday, July 25, 2012

On Bad Reviews


Today we have a guest blog by Wayne Zurl on what to do when someone writes a bad review of your good book.  This is a great synthesis of a lot of bits and pieces of advice we've all heard, but sometimes forget......Thank you, Wayne.

Some people have no bedside manner. That’s certainly true of a few book reviewers.

Don’t you hate to get bombed by a blogger who has only six followers and spends most of his/her time passing judgment on kitchen appliances? You ask yourself, “Why didn’t he/she leave my book alone and pick up a Veg-O-Matic?”

How should you handle the pain of a bad review? Let’s take it by the numbers and I’ll give you my thoughts.

1-Allow the steam to escape from your ears before proceeding.

2-Get all thoughts of physical violence and verbal retribution out of your system before moving on to step three.

3-Look at the poorly worded, opinionated, juvenile, asinine, obnoxious, nasty, insensitive, grits-for-brains review, written by an obviously uneducated cretin, OBJECTIVELY and assess its merit. Perhaps among all the hurtful statements, something can be learned from a valid point (no matter how ill-phrased).

4-Do not immediately click on Amazon’s comment box and write, “Oh, Yeah?”

5-If you must reply, (and there may not be a necessity to do so) you owe the reviewer (and your reputation) civility. Type in: “Thanks for your opinion,” and send it on its way. Then without delay, grab a paper and pen and for your mental wellbeing, finish your thought with: You moron! Up yours! What makes you think you would know a good book/story/poem (strike out those that do not apply) if it bit you in the ass? Your psychotherapist will be proud of you for practicing catharsis.

My best advice (and who follows his/her own advice?): Don’t dwell on the negative thoughts of others. Most great authors have received negative criticism from someone.

Second best advice (and I like this one much better): If available, print out a photo of the reviewer and hope you see them on the street some day. This advice, from a kid originally from Brooklyn.

Tuesday, July 10, 2012

The Nexus of Fiction and Reality


In "The Ambivalent Corpse" and in my upcoming (Summer, 2012) novel "The Matador Murders", we meet a character named Andrea, a scientist at the University of the Republic in Montevideo, who is studying affordable methods for the analysis of the microcystins, a family of toxins produced in rivers, estuaries, and lakes by various species of blue-green algae.  She also gets mentioned in some of my other blogs.  Her character is based on a real scientist studying these algal toxins in Uruguay who I've been collaborating with for more than a decade.  So, what's real and what's fiction?  Let me give you a few hints; these are references to, and abstracts from, actual scientific papers published in the peer-reviewed literature that I have copied from Pub Med:

1.  From Brena et al., (2006). ITREOH Building of Regional Capacity to Monitor Recreational Water:  Development of a Non-commercial Microcystin ELISA and Its Impact on Public Health Policy. INT J OCCUP ENVIRON HEALTH 12:377–385.

Thursday, July 5, 2012

Mystery Writers of America and E-Publishers

The blog site of the Mystery Writers of America organization at has a fascinating tip of the hat to the 21st century practice of E-publishing and their guidelines for approval of an E-publisher for membership in the MWA Organization http://www.mysterywriters.org/?q=mwablog .  Amazon qualifies, under the revised guideline “During the preceding year, the publisher must have paid a minimum of $1,000, in advances and/or royalties, to at least five authors with no financial or ownership interest in the company. Payment must be in monies, not in barter for advertising or copies of books.” 
E-books, themselves, won’t qualify their authors for membership, at least not yet.

Sunday, June 24, 2012

A Preview of Coming Attractions, 1


The fourth volume in my South American mystery novel series, "The Matador Murders", is complete and ready to publish this summer, pending a few more rounds of editing, and formatting of the front matter.  For those of you who’ve visited this blog and might be interested, this is a preview of coming attractions.  There may be some minor changes between this and the final version.

In this installment of the series Roger and Suzanne are back in Montevideo after being summoned from Los Angeles by a late night phone call.  One of their friends is suspected of murder and needs their skills as detectives to help clear him of the charges.  Life for Roger, and especially for Suzanne, is more complicated these days as they now have an infant son, Robert.  The three of them, accompanied by Robert’s nanny, Bruce, fly to Uruguay and the game is afoot.  Before long we have our heroes directly in the middle of a gang war, off for a quick trip to Chile to learn all about the local crime scene, and meeting some unlikely allies in their mission.  The book has lots of action, a good whodunit storyline, guest appearances by several old friends and by an old enemy from previous books in the series, "The Ambivalent Corpse" and "The Surreal Killer", and occasional opportunities for sightseeing and eating regional specialty foods.  I hope you all have as much fun reading this novel as I had writing it.  A short excerpt from the current draft of the book follows:
 
                                             Chapter 1.  Adios to a crooked cop

Early that day, Jose Gonzalez, in his usual role as a detective on the Montevideo police force, had a loud and highly acrimonious argument with his partner.  Martin Gonzalez, the partner, was proud of two things.  The first was that he and Jose were not related despite the common surname.  The other was that he was the ranking half of the partnership and could say whatever was on his mind with no real fear of the consequences.  Martin was in fact a Detective Lieutenant and the officer with the second highest ranking in the detective division after his Captain, fortuitously not named Gonzalez. 

Tuesday, June 19, 2012

Seeking Comments

Hi: I've published three novels in my South American mystery series thus far, as indicated several different places on the blog.  This post asks for comments, good or bad, about any or all of the three novels.  These can be shorter and pithier than reviews; the goal is to see some feedback about what is working well and what isn't in these books in hopes that the next few can be even better.  Thank you.

Monday, June 18, 2012

Perfect is Boring

Today's guest post is by mystery writer Wayne Zurl, a former policeman turned author.


            When I began writing police mysteries I said to myself, “Aha! This is fiction, not a documentary. I have the opportunity to make everything come out perfectly.”
            I thought it would be cool to create a character with a background similar to mine and fictionalize and chronicle my old cases. I could correct any mistakes or ask the questions that never came to mind or make the clever comments I only thought of the day after. It looked like an “if only” moment—a chance for perfection.
            Then it rained on my parade. The precipitation came in the form of a middle-aged man with lots of experience in publishing and some pretty good ideas. The retired editor turned book-doctor who I hired to assist me during the formative stages of A NEW PROSPECT said, “Your protagonist is perfect. He never makes a mistake. Are you nuts?”
            “Huh?” I said.
            “Perfect is boring,” he said. “Readers like tension. They like uncertainty. Put your character in jeopardy. Screw that perfection thing.”
            “Hmm,” I replied.
            I thought about the concept and remembered reading other mysteries. How many times had I said, “Jeez, a good cop would never do that?” I’d grit my teeth and wait for the ax to fall.
            One of my favorite fictional cops, James Lee Burke’s Cajun detective, Dave Robicheaux, ALWAYS did something I knew a guy with his experience would NEVER do.
            I’d tremble and say, “Oh, Dave, you know better.”

Sunday, June 17, 2012

The Three Rs of Book Series Characters: Recycle, Reuse, Resurrect


            One of the decisions that the author of a series has to make is whether or not to recycle your secondary characters through subsequent books.  For green-thinking authors, recycle, reuse, and resurrect is a natural answer to this question.  If you've already invented Joe and Mary, why start over from scratch the next time?  You already know what they look like, what they sound like, and a little bit about their character.  Who knows, there may be a few Joe and Mary groupies out there who will buy your next book because they want to know whether Joe got his promised promotion at work or whether Mary's unborn child from the previous book turned out to be a boy or a girl.  Maybe Mary can work her way up the literary food chain to star in her own novel some day.

            On the other hand, recycled characters can easily become boring as they make their guest appearances in subsequent books.  They really need to be there to advance the story, not just to pad out the book length by introducing extraneous subplots centered on them.  And if they do show up, readers expect the author to peel away a few more layers of the onion so we get to know them better, in more depth, in each succeeding appearance.  Several months ago I did a guest interview for Pat Bertram's blog from the point of view of the character Eduardo Gomez, a Paraguayan policeman who had appeared in my second novel, The Ambivalent Corpse.  In that interview, Eduardo indicated that he wanted to play a bigger part in subsequent books.  He gets a chance to do this in my newest novel, due later this summer, The Matador Murder.  And we get a chance to know him better.  There are still some things we don't really know about him----maybe we'll be seeing more of him in books to come?

Wednesday, June 13, 2012

A Couple of Interesting Facebook Pages to Visit

http://www.facebook.com/GRSPA, the Goodreads Self Published Authors Page, has a recent entry commenting "Interesting Reviews :)" about Wistfulskimmies Book Reviews at http://www.facebook.com/WistfulskimmiesBookReviews.  Since Wistfulskimmie has positive reviews of two of my books, The Ambivalent Corpse and The Surreal Killer, on her site (check the late March, 2012 entries), I recommend visiting it highly.  I can also recommend Haresh's Goodreads Self Published Authors Page on Facebook for a look over. 


My Strangest Patent---Just Add Water


            A long time ago, right after I finished my postdoctoral training, I took a job with a large pharmaceutical company to see what earning a decent salary felt like.  One day after I'd been there for several months we had our first crash program where we all were supposed to drop whatever we had been working on and turn our efforts to solving a big problem related to developing a new product.  Not to be technical, our organic chemists had developed 25 steps of a complex synthesis of a new antibiotic.  They were stuck on the 26th step, so they turfed the problem to someone else, the group of biochemists and bacteriologists I was in.  My job was buying a bunch of enzymes from Enzymes R-Us (to be honest, the company was named Sigma, but doesn't Enzymes R-Us have a certain ring to it?), and testing all of the enzymes at random to see if any of them could make that elusive 26th step happen.

             A week or so later the enzymes arrived and it was time for me to do something to earn my paycheck. The day before I ran my first experiment in this crash program, I stuck my head into my older and wiser colleague's office.  He had been helping me adjust to life in the real world, rather than the ivory towers of academia, by giving me advice on what was expected of scientists in this setting.  I asked something that translated into: "Should I just go through the motions, or should I do things very carefully, like I was doing a real experiment?"

Sunday, June 3, 2012

The Background Research Is Important


            I wrote a previous blog about the possible linkages between my wife Elaine’s dog Jake and Robert B. Parker’s real life and fictional dogs named Pearl.  As I found myself trying to remember when Spenser first met Susan Silverman and when Susan first acquired Pearl, the availability of a convenient resource made this research project simple.  The resource, designed by Elaine during a bathroom remodel several years ago, is a set of built in bookshelves in an unusual, but very convenient, setting and the paperback mystery novel collection I keep in these shelves (see Figure 1). These are the old favorites I will read again and the various series I have collected because I've enjoyed them so much.

Figure 1---The bookshelves
            Included in the book collection are mystery novels mostly based in the two states we have lived in as a couple, California and Massachusetts.  There is a complete run of the Spenser series neatly filed in the lower right section of the shelves, under “P” for Parker.  It took just a few minutes to skim through the earlier books until I found Susan in God save the Child, in her early incarnation as a school guidance counsellor, and Pearl, who joined the series several books later in Pastime.  Other series in the shelves set in Boston include Parker's other two series, featuring Jesse Stone and Sunny Randall, books by Jeremiah Healy (his John Francis Cuddy series) and Linda Barnes’ Carlotta Carlyle series.



Wednesday, May 30, 2012

Can You Hear the Beat?


Pat Bertram offers a guest post:  She discusses the use of "beats" to enrich dialogue in our books.  There are some helpful ideas for all of us in this example of writing technique.


I once read the entire oeuvre of a bestselling author, trying to figure out the reason for her popularity, and I had a hard time slogging through her words. It’s not simply that I find romance novels unappealing, it’s that she does not use beats. Beats, as you know, are interesting bits of action used as dialog tags:
“No!” Mary rushed to grab the paring knife from her two-year-old son. So much more interesting than: “No,” Mary said.
Beats make the book; in many cases, they are the book. I first noticed this when I read an Iris Johansen thriller. I got bored with her series character and, for a change of pace, started reading only her beats. To my surprise, the entire story was there. The character’s fear, lessening of fear, relief, escalating fear, despair, desire, lust, all reaching to a crescendo of utter terror, and then finally peace and acceptance.
From that, I’ve learned to cultivate beats. When I’m looking at a movie that doesn’t capture my full attention, I watch the actors and try to put what I see into words. The other day I saw a character shoot a finger at a friend and smile as if he were agreeing with him, then the smile faded and he shook his head no. Not only did it have an element of humor (doing the opposite of what’s expected) it was a brilliant beat, perfectly timed.
Obviously, not using beats has not hurt the bestselling romance writer any, but for the rest of us, the beat goes on.
The following is an excerpt from my novel Light Bringer, showing the use of beats. Since there are only two characters, we’d know who was talking even without identifiers, but the small bits of stage business help set the scene.  The book is available at http://www.smashwords.com/books/view/49822.

Saturday, May 26, 2012

A Novel Idea


            My second South American mystery novel, “The Ambivalent Corpse”, is set mainly in Montevideo, Uruguay.  The premise is that our heroes find parts of a dismembered corpse on a rocky stretch of beach in Montevideo, apportioned equally between the Memorial to a German cruiser sunk in World War II and the Memorial to Jews killed in the Holocaust.  Because of the murder victim’s strategic location shared between two antithetical monuments, the Uruguayan press names her “The Ambivalent Corpse”.

            I got the original idea for this book’s title and basic premise when my wife and I took a walk in Montevideo in 1999 and we saw that strange juxtaposition of the two monuments.  As you can tell from the dates, it took a while for me to find the time to sit down and start writing the book.  I remembered the Graf Spee Memorial, which was a favorite spot for snapshot taking among the university students I knew, from my first stretch of living in Montevideo in 1982, but I didn't remember the Holocaust Memorial from my earlier visit.  Perhaps this shouldn't be too surprising since the memorial was first dedicated in 1995.

Sunday, May 20, 2012

Where Do All of Those Characters in the Books Come From?


As we try to create the imaginary worlds of our books, to be believable we have to rely on reality for inspiration.  I try to use the places I’ve lived in and visited in South America as settings in my South American Mystery novels.  These novels have to be populated with people, both the central characters like my detectives Roger Bowman and Suzanne Foster, and all of the rest of the characters they will meet as they investigate the murder or murders.  We quickly encounter a problem of how to make these other characters into distinct individuals rather than just 20 clones named Pedro or Jose.  To solve this problem I try to use real people I’ve met in South America as models for fictional characters in these books by visualizing someone I actually met for a physical description or taking part of their personas to start building my fictional characters.  Let me introduce you to the path from reality to book pages of a few of the suspects in the murders being investigated and a couple of the minor characters from two of my novels.

Pat Canella (The Dockland Murders)

I'd like to introduce you to Alan Place, a Indie science fiction and fantasy writer from Great Britain whose most successful book thus far is a P.I. mystery novel, The Dockland Murders, starring a tough female sleuth, Pat Canella.  Rumor has it that there is interest in this book from a few traditional publishers.

Alan is a presence in the blogosphere and can be found several places, including Facebook:




 
The Dockland Murders can be found on Amazon (UK and US) at:
 
 

I stood there, the gun still warm in my hand, barrel smoking from the gun battle.
“Why did he do that, Sarge?  I tried my best to talk him out of it.”
“Living with the guilt finally got to him, Patti.”
“Couldn’t he have talked it over?”
“No, the only thing worse than being a dirty cop, is being the son of a loose cannon, and none came looser than Bill Chart, Patti.”
I looked around.  There lay the body of Bill's son, my ex-partner, Adrian Chart.
“I had no choice, he pulled first, Sarge," I said through my tears.
“I know, Patti, we all saw it.  Nobody blames you.  It was his way out.”
The last thing I remember was the Sarge saying in a soft tone, "Take a week off Patti, something like this will haunt you. I know. I have been there myself.”  Dazed, I stood there, trying to remember how it had all started . . .
                                                   * * *

Saturday, May 12, 2012

Time Out For Puppy Making






I've mentioned Jolie's 11 puppies, our present house guests, in several previous blog entries.  The pups are almost 5 weeks old now; the photo was taken a few days ago. See how many you can count here.  I find 9 in the picture.  They are pretty friendly with everybody and have been very, very well socialized to get that way.  The pup in the middle, Lancelot, is a large extrovert who likes all the attention.  Our non-canine visitor in the box, who is the largest puppy sitting there, likes puppies in general and this litter especially.  She also owns their half-brother, Bruce.


Special Guest Post: Lia Fairchild



Lia Fairchild is a native Californian who loves reading, writing, movies, and anything else related to the arts. In addition to her mystery series Lia is the author of the novel, In Search of Lucy, which was recently picked up by AmazonEncore. For more about Lia and her books visit http://www.liafairchild.com and http://www.ahintofmurder.blogspot.com or follow her on Twitter at https://www.twitter.com/#!/liafairchild
A Hint of Murder: The Series compiles all three A Hint of Murder stories in one book:
A Hint of Murder: The Writer
Alicia Fairfield didn’t plan on being famous. Now a bestselling author with millions of fans, Alicia also has the attention of a killer. Someone has been recreating the murders from her books and the suspects are piling up; her mentally ill son, a disgruntled associate, and possibly even her loyal literary agent. The pressure of public recognition along with the guilt over these senseless killings could be enough to drive Alicia over the edge. Can she hold it together long enough to uncover a killer? (Story length 9,000 words)
A Hint of Murder: The Doctor
Russell Morgan had it all; good looks, the perfect woman and a rewarding career as a well-respected physician. When the doctor’s patients start turning up dead, his world comes crashing down. Second in the “A Hint of Murder” series, this short story brings Detective John Lewis back in action to track down the killer. (Story length: 12,000 words)
A Hint of Murder: The Bouncer
Bobby Crane was tired of being a bouncer and a glorified errand boy. He longed to be a professional singer and was just about to get his big break. Then Allen Schaffer is found murdered and Bobby’s car was spotted at the victim’s home. Third in the A Hint of Murder series, this story has detective John Lewis returning with a new partner to uncover a murderer. (Story length: 10,400 words)
Excerpt can be read after the break

Friday, May 11, 2012

What Comes Next?

     Early in my scientific career a mentor gave me a key piece of advice. He said, ”When you get news you’ve received a research grant, don’t run out to have a party, or even a drink. Rather, think about the answer to the following question, what will the next grant be about?” There’s a real parallel to writing a series of novels, I believe, and it’s a good idea to start thinking about the next one somewhere between half way through the first draft of the current book and beginning to edit it the entire first draft. I’m presently about half way through the next one (which will be book #4 in my South American Mystery series), and have begun to consider some serious thoughts about book #5.

Thursday, May 10, 2012

A Few Pearls of Doggy Wisdom

     As I sit at my desk about 25 feet away from 11 4-week-old puppies (Thank you, Jolie), it seems natural to reflect on our family's relationship to dogs. My wife Elaine has been breeding German Shorthaired Pointers (GSPs) for a long time, most of her adult life. Her first GSP was the loveable, but not particularly well coordinated, Jake (aka Lufkin’s Jaunty Jake as registered with the American Kennel Club). Jake was influential in getting us together, but that will be the topic of a future blog entry. Jake also sired the 13-generation long lineage that established Elaine as a well known breeder of a long line of successful GSP show dogs here in the western United States.
     For today, we will discuss the possibility that Jake, who might have influenced the purchase of the real Pearl and the development of the fictitious Pearl in the Spenser series of mystery novels written by one of my favorite authors, Robert B. Parker. In a land long ago and far away (I always wanted to use that one in writing, somewhere), Elaine lived in the Boston suburbs. She walked Jake in many places, including the Boston Commons. A few of those times Parker, who lived and taught in Boston, came by The Commons to admire her dog and got to know Jake in all his lovable goofiness. Over his illustrious career as a mystery writer, which started just about that time with The Godwulf Manuscript (published in 1973, the year I moved to Cambridge), Parker owned several generations of GSPs named Pearl, who occupied a lot of his book cover photos with him. In all of the Spenser books that followed the first one, beginning, I believe, with book #2 in the series, "God Save the Child", Spenser had a girlfriend Susan Silverman, initially a school guidance counselor who morphed into a Ph.D. (from Harvard, no less) clinical psychologist in book #10 in the Spenser series, "Valediction". Suzanne eventually acquired a GSP named Pearl in, I think, the 19th book of this series, "Pastime". Her dog, whose name was changed from "Vigilant Virgin" to Pearl on page 4 of Pastime, looked a lot like Parker’s real Pearl, a solid liver-colored GSP. His movie production company, which made films and both cable and network TV shows based upon his books, was named “Pearl Productions”. Did Elaine and Jake influence Parker’s subsequent choices of Pearl #1-3? I’d like to think so.