The Magic of Machu Picchu

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For all of you interested in The Magic of Machu Picchu, which really is a magical place, I wrote a fairly extensive blog entry I just posted on the topic that I highly recommend reading at http://www.rachelleayala.com.  It's a good introduction to one of the most fascinating places on Earth, The Sacred City of the Incas.  Machu Picchu plays a key role as a location in The Surreal Killer, and is one of the two must-see places if you ever are a tourist in South America, at least in my opinion.  The other is The Galapagos Islands.  Machu Picchu in the Peruvian Andes near Cuzco, along with several islands in Lake Titicaca high in the Andes on the Peru-Bolivia border, were the most sacred cities to the Incas, who maintained a far-flung empire stretching across all of South America from Colombia in the North to Argentina in the South just prior to the Spanish conquest of the region in the 16th Century.

Things To Do In Lima, Peru

In my third South American mystery novel, The Surreal Killer, one of the detectives, Suzanne, goes shopping for baby clothes at the Mercado de Las Incas in Lima with several women she meets at a scientific meeting.  Two of these women worked as scientists from government agencies in Lima and are based (their physical descriptions and their willingness to adopt Suzanne and show her the techniques for shopping at The Inca Market) upon the actual Peruvian government scientist who hosted our group from the University in Montevideo and me in 2010.   We spent that week in Peru teaching a course to about 50 Peruvian scientists and engineers about analysis and toxicology of the Microcystins, toxins produced by Blue-Green algae that can contaminate drinking water supplies.  A highlight of the week was Friday morning’s session, when we presented a condensed version of the 1-week course over the World health Organization’s (WHO) broadband network, which reaches to 19 different Latin American countries simultaneously in real time.  The WHO regional network, called the Pan-American Health Organization (PAHO), hosted almost 500 participants in 19 different countries for our morning course.  It’s a strange feeling knowing that you are talking to almost 500 people as you deliver your lecture or discussion to a camera mounted on a computer.

Blue-green algae grow in lakes, reservoirs, and wherever else you might find slow-moving or stagnant water that contains the nitrogen and phosphorus nutrients they need to make little algae from.  Some of these algae make powerful toxins that can kill people and animals.  The recipe for disaster is a body of water, sunlight, and nutrients from agricultural fertilizers or urban sewers.  This is a worldwide problem, including the countries in South America that my novels are set in, and just about everywhere else.  It's also an area in which my scientific colleagues in Uruguay are making a major contribution to developing new and better methods to test drinking water supplies for the presence of these toxins. 

The traditional Peruvian delicacy that tourists flock to in Lima is ceviche, fresh raw fish or seafood marinated in lime juice and seasoned with herbs like cilantro.  This South American spin on sushi is really, really good, especially when it is accompanied by a cold beer as a snack or appetizer before dinner.  There is an interesting juxtaposition between sampling the ceviche and worrying about whether the ubiquitous blue-green algae we were discussing in the course shared the water with the fish we were eating so cheerfully.  This may be one of the places that the new assays being developed in Uruguay for the algal toxins will have some direct relevance for tourists in Lima in the future.

The Three Rs of Book Series Characters: Recycle, Reuse, Resurrect

            One of the decisions that the author of a series has to make is whether or not to recycle your secondary characters through subsequent books.  For green-thinking authors, recycle, reuse, and resurrect is a natural answer to this question.  If you've already invented Joe and Mary, why start over from scratch the next time?  You already know what they look like, what they sound like, and a little bit about their character.  Who knows, there may be a few Joe and Mary groupies out there who will buy your next book because they want to know whether Joe got his promised promotion at work or whether Mary's unborn child from the previous book turned out to be a boy or a girl.  Maybe Mary can work her way up the literary food chain to star in her own novel some day.

            On the other hand, recycled characters can easily become boring as they make their guest appearances in subsequent books.  They really need to be there to advance the story, not just to pad out the book length by introducing extraneous subplots centered on them.  And if they do show up, readers expect the author to peel away a few more layers of the onion so we get to know them better, in more depth, in each succeeding appearance.  Several months ago I did a guest interview for Pat Bertram's blog from the point of view of the character Eduardo Gomez, a Paraguayan policeman who had appeared in my second novel, The Ambivalent Corpse.  In that interview, Eduardo indicated that he wanted to play a bigger part in subsequent books.  He gets a chance to do this in my newest novel, due later this summer, The Matador Murder.  And we get a chance to know him better.  There are still some things we don't really know about him----maybe we'll be seeing more of him in books to come?

Where Do All of Those Characters in the Books Come From?

As we try to create the imaginary worlds of our books, to be believable we have to rely on reality for inspiration.  I try to use the places I’ve lived in and visited in South America as settings in my South American Mystery novels.  These novels have to be populated with people, both the central characters like my detectives Roger Bowman and Suzanne Foster, and all of the rest of the characters they will meet as they investigate the murder or murders.  We quickly encounter a problem of how to make these other characters into distinct individuals rather than just 20 clones named Pedro or Jose.  To solve this problem I try to use real people I’ve met in South America as models for fictional characters in these books by visualizing someone I actually met for a physical description or taking part of their personas to start building my fictional characters.  Let me introduce you to the path from reality to book pages of a few of the suspects in the murders being investigated and a couple of the minor characters from two of my novels.